Around two o’clock on the afternoon of Thursday, 28 September 1995, one of the best loved trees at the Arnold Arboretum died—the old Amur cork tree, Phellodendron amurense, which grew along Meadow Road.

It died as it lived, giving of itself freely to an adoring public: a group of twenty-two schoolchildren from the Winsor School in Boston were perched in the tree, posing for a photograph, when the weight of the group caused the tree to crack audibly and collapse. The children hastily climbed down, with no one suffering injury.

Without a doubt it was the most photographed tree in the Arboretum, and the most loved. In fact, it was loved to death. The tree had been in a slow state of decline, particularly over the last ten years, as a steady parade of trampling feet compacted the soil around its base, smothering its roots, and as children and adults of all ages climbed among its low, spreading limbs. Those pressures simply compounded the health problems that are normal for a tree that is over one-hundred-and-twenty years old. Over the years, the Arboretum staff had tried various techniques to keep the public out of the tree but found none that could overcome its sheer magnetism—the irresistible urge it inspired to go up and touch the soft bark that had been rubbed to a smooth polish by countless generations of Boston children. So the decision was made to let the cork tree die as gracefully as possible. It became the only tree in the Arboretum that people were “allowed” to climb.

Black-and-white photograph of adult and two children walking by cork tree
Black-and-white photograph of four children climbing cork tree
Black-and-white photograph of young cork tree

When the end finally came, the tree was clearly on its last legs. Every year for the last ten years, Arboretum pruners had had to remove dead branches from the tree, making it ever thinner and weaker. The low, spreading limb, where all the children perched, had descended from four feet above the ground in 1983 to only two feet in 1995. This past summer’s drought, bringing forty straight days without rain, was just one more problem for the tree to cope with.

Citation: Del Tredici, P. 1995. Requiem for a cork tree. Arnoldia, 55(3): 22–24.

The cork tree had an altogether remarkable history. It arrived in Boston as a seed from the Imperial Botanic Garden in Saint Petersburg, Russia, on 14 September 1874, just two years after the Arboretum was founded. It was assigned the accession number 143*A, indicating it was the one-hundred-and-forty-third tree to be acquired by the Arboretum and very likely one of the first trees planted on the grounds. When death finally came, at the hands of its friends, it had passed its one-hundred-and-twenty-first birthday only two weeks before.

One of the interesting things about cork trees is that they are dioecious, meaning there are separate male and female individuals. Our beloved specimen was a male. Despite its common name and the corky feel of its bark, Phellodendron amurense is not the source of commercial cork used for wine bottles and bulletin boards. (That product comes from a species of oak that grows in the Mediterranean region, Quercus suber.) The specific name, amurense, refers to the tree’s origin in the Amur River Valley of Manchuria, a region with very severe winters. Many other plants from this region are growing well at the Arboretum and seem particularly well adapted to the rigorous climate of New England.

From “free” to “friend”…

Established in 1911 as the Bulletin of Popular Information, Arnoldia has long been a definitive forum for conversations about temperate woody plants and their landscapes. In 2022, we rolled out a new vision for the magazine as a vigorous forum for tales of plant exploration, behind-the-scenes glimpses of botanical research, and deep dives into the history of gardens, landscapes, and science. The new Arnoldia includes poetry, visual art, and literary essays, following the human imagination wherever it entangles with trees.

It takes resources to gather and nurture these new voices, and we depend on the support of our member-subscribers to make it possible. But membership means more: by becoming a member of the Arnold Arboretum, you help to keep our collection vibrant and our research and educational mission active. Through the pages of Arnoldia, you can take part in the life of this free-to-all landscape whether you live next door or an ocean away.

For more tree-entangled art, science, and writing, subscribe to Arnoldia by becoming a member of the Arnold Arboretum.